I am going to try to be the change I want to see in the world. I am not going to unfriend anyone for their partisan politics. I am not going to blame any of my friends for macro world events beyond any of our control. I aim to avoid engaging in partisan political discourse between now and November 1, 2016. I aim to avoid engaging in discussion of local outrages in faraway places I can’t impact. To my American friends, whoever you are voting for or if you are sitting out this election, our relationship was never based on politics and it is not going to start being now. I am available, either online or in person, to discuss literature, art, music, fashion, technology, food, business, and related topics. I am going to try to be the change I want to see in the world.
music Archive
Blue Blood All Access Pass Call for Submissions (Paying Market)
I’m still reading for the sequel to Backstage Passes. Backstage Passes is a bit of a who’s who of cool fiction, with work from Poppy Z. Brite, Nancy A. Collins, John Shirley, Will Judy, Shariann Lewitt, Cecilia Tan, Andrew Greenberg, William Spencer-Hale, Althea Morin, Sèphera Girón, Thomas S. Roche, and more. I’d like to have a similarly talented rogue’s gallery of contributors in the forthcoming volume. Please feel free to pass this invitation to submit to all your brilliant friends and re-post to market reports.
Short version of what I’m looking for is: well-crafted fiction or memoir, cool erotica with music and/or music culture as a central theme, $50 first run + reprint rights, $25 reprints. More formal version below.
Call for Submissions: All Access Pass
Backstage Passes editor Amelia G is reading for a sequel to her anthology of rock and roll erotica, called All Access Pass. Below are general fiction guidelines for Blue Blood fiction projects. For this book in specific, music must play a central role in the story. Events could take place at a punk club or an outdoor festival, characters may be musicians, music may just really speak to a particular character, but it needs to be important. Stories ranging from balls-out memoir or entirely fantastical vampire sex are all fine, within the appropriate theme and quality standards.
When submitting electronically, please make the subject of your email ALL ACCESS PASS SUBMISSION.
Before sending anything over, please ask yourself if your work passes the Blue Blood litmus test: Is it intelligent? Is it sexy? Is it edgy/counterculture? Is it cool? Email electronic submissions to submit@blueblood.net For submissions of fiction or nonfiction text, please have your writing in a Word document with a .doc suffix (not .docx), RTF, TXT, InDesign, or Open Office format. It is preferred if you include an author bio or link to your website or online profiles.
The All Access Pass anthology is seeking erotic stories with a counterculture feel — Gothic, industrial, techno, rave, punk, metal, dyke, mystery, gangster, hard-boiled, science fiction, cyberpunk, steampunk, vampire, werewolf, medieval etc. At the moment, our needs are for stories primarily from a male or female heterosexual viewpoint, lesbian viewpoint, or female bisexual viewpoint. Often, we can also place male homosexual and gender bender stories in anthologies. We look for work between 2,000 and 7,500 words. Most accepted fiction is shorter than 4,000 words. Death and horror elements are acceptable so long as they do not prevent the piece from being sex-positive. Characters may die but not as part of the sexuality. Kinky is great — leathersex, bondage, vampirism etc. are all fine. Negative attitudes about sexuality are not fine. All sex must be consensual and arousing. PLEASE DO NOT SEND US STORIES PROMOTING NAZIS, RAPE, INCEST, OR THE SEXUALIZATION OF MURDER. NO SNUFF, RACISM, OR HOMOPHOBIA. If you can write genuinely arousing fiction which still works as a story, do contact us. Payment is net 60 on on-sale date and we generally purchase first worldwide rights (exclusive from acceptance to one year after publication) along with nonexclusive reprint rights.
Critical Acclaim for Backstage Passes
“extremely enjoyably depraved and romantic” –AltPorn.net
“sizzling stories by some of the biggest horror/goth/erotica writers in the genre . . . The authors in this collection are amazing story-tellers and the top of their genres . . . The stories have diverse themes but are all woven together by the lustful threads of a rock n’ roll subculture featuring musicians, rock stars, groupies, nefarious lovers, occultists and blood-letters . . . Backstage Passes is a superb collection of edgy dark erotica” –Domina Doll
“spell binding literature” –Industrial Nation
“managing to capture the essence of what it was like to be young and punk, young and goth, or young and a vampire” –Gram Ponante
“If you like your Rock and Roll the way it was meant to be, this is a reading must.” –Redemption
“the worlds of fetish, rock and roll, and horror collide to very erotic effect” –Marquis
“If the erotica you’ve read lately seems a little too safe, this is the anthology for you.” –Erotica Readers & Writers Association
Backstage Passes: An Anthology of Rock and Roll Erotica from the Pages of Blue Blood
Sorry I haven’t updated in a few days. I was scheduled to announce the release of my fabulous anthology Backstage Passes on Monday. But I was wracked with anxiety and inappropriate affect, so, instead of feeling celebratory about the awesomeness, I just mostly felt nervous and queasy. Excited contributors have all been emailing me for the past day to make sure all is well. Okay, that is probably an overshare. Let me start again.
I am pleased to announce that my book Backstage Passes: An Anthology of Rock and Roll Erotica from the pages of Blue Blood just came out. The stories explore different aspects of the eroticism of music subcultures. It’s got sexy literary fiction from all sorts of cool genre authors including Poppy Z. Brite, Nancy A. Collins, John Shirley, Will Judy, Shariann Lewitt, Cecilia Tan, Andrew Greenberg, William Spencer-Hale, Althea Morin, Sèphera Girón, Thomas S. Roche, and more. The book includes a story I wrote too, one of my only published fiction works where I wrote in the third person. I’m fortunate to have been able to work with so many great people.
The book won’t be available in stores until September, but you all can buy copies now from the Blue Blood Books site and get yours all early way before the general population can. It will make me feel all warm and gooey inside if you do.