Archive for 2007

Happy 4/20

Wishing everyone a happy 4/20 with this series ForrestBlack and I shot of Superna in her living room. Full set in the BlueBlood.com members area of course.

Superna Cannabis

Additional free samples of personal fave images after the jump.

( Also NSFW )

This is from a series ForrestBlack and I shot with Jax during a crazy desert thunderstorm. You could get drenched in seconds outside, but inside we had a nice fire going in the fireplace and, pardon the pun, but Jax was even hotter.

One more NSFW sample image after the jump. Whole set of course on BlueBlood.com

( NSFW )

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Blame Somebody Else Day

Check out Blame Somebody Else Day

Tassy Pink

ForrestBlack and I shot this image of the gorgeous Gabriel for BlueBlood.net.


(Image Courtesy of BlueBlood.net)

Roxy Contin & The Stockinged Thigh

This is a shot featuring Roxy Contin looking remarkably demure with Madeleine Sophie’s leg from a looooooooong Blue Blood series shot by yours truly and ForrestBlack.

More NSFW free samples after the jump.

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Xanthia Doll is Busting Out All Over

There are now more than 500 photographs of the bustilicious Xanthia Doll on BlueBlood.com! There are sets by Kelly Lind and Lori Mann and these sets are by yours truly and Forrest Black. I’m really pleased with how they came out. The nonnude image is actually our MySpace default at the moment. She’s really great.

Xanthia Doll photographed by Amelia G and Forrest Black

NSFW after the cut/jump.

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Corpse Bride


(Image Courtesy of BlueBlood.net)

Michelle Aston Bear City

Michelle is incredibly sexy and trouble looking for a place to happen. Whole set now on BlueBlood.com and bears from the Blue Blood Boutique! Photography by yours truly and forrestblack.

Bonus points if you get the, ah, literary allusion.

Michelle Aston photographed by Forrest Black and Amelia G

( NSFW after the cut )

Do you have a throne and/or a crown?

Okay, my Blue Blood pals are an eclectic bunch, so somebody based in California must have what I’m looking for.

I need one or two thrones and one or two crowns for a photo shoot. Do you have some which just need to be immortalized? Who has what I need and can loan it to me? You can email pics to submit@blueblood.net or reply here. Thanks so much! 🙂

Love, Amelia

Are weak people intrinsically immoral?

It seems like sometimes there are people who just fuck over absolutely everyone around them, but they always claim they are doing it because of some external factor i.e. someone else was putting pressure on them or they didn’t have the funds or anything else they claim is out of their control.

Are people like this just weak or are they just total manipulative liars? If it is weakness and these people are just too buffetted by events, does this mean that weak people are, by their nature, immoral and incapable of keeping a promise?

When does fiction bridge the gap and intrude too far into real life?

Avoiding Donkey Shows and Imaginary Friends
by Amelia G : March 23rd, 2007

I attended the Fictional Bloggers panel at SXSW. The panel featured Liz Henry and Odin Soli. They are both active in Latin American political writing, which is an area I admit I don’t follow. I spent some time in Brazil when my mother was stationed there and got some creepy awful illness which caused blood to exit from strange places and caused me to take medication which made everything taste like metal for a month. Also, despite huge natural resources and local wealth, there were homeless children there and that kinda freaked me out. I haven’t followed much in the way of anything Latin American since. Even though I live an easy drive from Tijuana, the only people who generally try to get me to go south of the border with them tend to be professional adult webmasters. These are the sort of guys who just can’t help bribing public officials and finding out where the donkey show is. As a result, despite having lived all over the world and living in Los Angeles now, I have never even visited Mexico for an hour.

Liz Henry’s work these days is working for Socialtext, which is a company attempting the interesting enterprise of introducing wiki technology to the corporate environment. She also blogs for Feminist SF which lists yours truly in their index of female authors of science fiction, so they have to be awesome. Bonus points: Liz Henry wears purple hair well. Odin Soli works for a company called Aveso, which is either a webhost, or more likely a company striving to sell big business on the cyberpunk giftcard accessory of teensy weensy electronic displays. I know it doesn’t seem like this is . . .

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Getting Paid to Puke and Scream

Getting Paid to Puke and Scream
by TC for BlueBlood.net: March 20th, 2007

The Gravedancers Director and FriendMy mama always told me to find something I’m good at and to then apply it in my day-to-day life. I’m one hell of a screamer. Throughout the years, I’ve developed a decent name for my screams on stage with my music, but one day my dream happened. A good friend of mine, Joseph Bishara (Rasputina, Marilyn Manson, 16 Volt, etc.) walked up to me after one of my band Satiate’s shows and asked, if he paid me, would I let him record me, audibly, for some horror movie work. His exact words were “how’d you like to get paid to puke?” I immediately was into the idea for a multitude of reasons. One, I’m a huge horror movie freak. Two, I’ve always wanted to work in horror movies. Lastly, how awesome would it be for someone to ask me what I do for a living and I can go “I get paid to puke and scream.” From this one conversation a few years ago, I get calls from time to time to come down to the studio and track vocals, screams, eerie voices and, yes, weird noises, like gurgling, gargling and yes, puking. Most of my work is featured in movie trailers and TV commercials, some of the more “known” work in my resume is: The Village, Amityville Horror (remake,) Silent Hill, and The Grudge 2. One of my latest treks into the studio was for the After Dark Films Horror Fest, 8 Films to Die For, The Gravedancers.

It’s very challenging work. The first half of the session was vocal pieces that range . . .

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