Note to those who like babes with armor and swords: If hypothetically your models are not experienced with swords and armor and hypothetically your lights use electricity and hypothetically one of your models wants a glass of water, for heaven’s sake, have them both PUT THE SWORDS DOWN FIRST. Forrest Black and I did this shoot to promote Tony Swatton’s armor and such to 40,000 Folsom Street Fair revelers. (I am such a dork. I just googled to doublecheck that it is Fair and not Faire. I got it right the first time, but still.) It ended up being a kind of expensive favor, given what it turns out it costs to repair electrocuted pro lighting packs. But, hey, Darenzia and Scar look hot and Scar did a nifty job on both their makeup and now a bunch of cool images exist. Second shot here is goofing around during the light test. Darenzia can look disturbingly good while picking her nose.
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We shot this series of Darenzia, wearing her hot pink rubber dress, dominating Scar 13, on the same balcony I watched the Griffith Park fire from. Please cue all necessary hotness puns. You’ve got fire, how hot Darenzia is, how hot Scar is, the color hot pink, and fire to work with. I know I said fire twice; I like fire.
This set marks Darenzia’s 36th appearance in the Blue Blood VIP and Scar 13′s 97th. That is 1,900 photos of Darenzia and 6,743 of Scar. That is a lot of hot pictures by Forrest Black and yours truly, as well as a who’s who of other cool photographers, including Lori Mann, Kelly Lind, Chad Michael Ward, Christine Kessler, and more.
I hear Los Angeles has more helicopters than any other American city. I certainly hear the helicopters in Hollywood pretty often. Yet nobody has ever said anything to me about having naked militia on my roof. So Forrest Black and I have shot more than a few of these like this one with Scar 13 for Blue Blood.